Central to my work is the question of notation.
How can we document space not through lines and plans, but through bodies, gestures, and sensations? I explore ephemeral spatial phenomena, such as rhythm, proximity, tension and flow, as compositional tools in both performance and spatial design.

Through workshops, writing, and collaborative experiments, I examine how choreographic and architectural processes overlap, inform, and challenge one another. I see the choreographic process not only as an inspiration, but as a methodology which is intuitive, rigorous, and deeply spatial.