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My choreographic practice engages with bodies as both medium and collaborators. In my performance work, I approach movement as both material and method: a way of shaping space, generating knowledge, and composing temporary architectures.

I consider performance itself a form of architecture. A lived, dynamic construction of relations between bodies, space, and time. Not only is the surrounding space a partner in the work, the choreographic process becomes a design process in its own right.

Drawing from the intuitive, rigorous logic of dance-making, I explore how spatial narratives emerge from movement and how choreographic thinking can inform and challenge traditional modes of architectural design.